Star Trek - The Original Series, Vol. 21, Episodes 41 (Star Trek)
Star Trek - The Original Series, Vol. 21, Episodes 41 & 42: I, Mudd/ The Trouble With Tribbles 
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B000059XTZ
| Paramount Studio
| 24 April, 2001
| "I, Mudd" Lovable scoundrel Harry Mudd (Roger C. Carmel) returns following his debut appearance in the first-season episode "Mudd's Women," this time as the leader of a race of helpful (and leggy) androids. Mudd tries to take control of the Enterprise, but soon finds that the androids have plans of their own. This is one of Trek's few purely comic episodes, and it hits a nice level of whimsy as Kirk and the crew fight android efficiency with good old human illogic. "I, Mudd" also sets a benchmark achievement for the Star Trek design crew: It called not just for beautiful women in revealing costumes, but for beautiful twins in revealing costumes. Truly a tough one to top, cheesily foreshadowing the "Fembots" of Austin Powers infamy. --Ali Davis "The Trouble with Tribbles" It's time to face one of the great questions of the television age: Is "The Trouble with Tribbles" really as good as everyone thinks it is? You bet. While the story might be a little slower than many of us remember, the episode is deservedly beloved for writer David Gerrold's witty, mildly acerbic script, and the way the cast took to heightened comic possibilities against network resistance. (Heavens! Comedy on a science fiction show?) Stanley Adams is delightful as the huckster Cyrano Jones, who gives a trilling furball called a tribble to Uhura (Nichelle Nichols), who brings it aboard the Enterprise and watches it reproduce... and reproduce... and reproduce. Soon, hundreds of tribbles are in every part of the ship, making Captain Kirk (William Shatner), already grouchy about guarding a mere grain shipment from Klingons, even grouchier. There's no question that Gerrold made a major contribution to Trek culture with this show, setting a tone that Star Trek has visited again and again, including the feature film Star Trek IV: The Voyage Home and sundry episodes of The Next Generation, Deep Space Nine, and Voyager. --Tom Keogh
| The original "Star Trek" series is cheesy at times but often fun and sometimes dramatic. However, 2 episodes per disc is a sure sign that Paramount was milking this series for all that it's worth, because they knew that the loyal "Star Trek" fans would buy every disc - all 40 of them. Paramount has now released the entire series in season boxed sets which, although still pricey, include bonus features and are a better value than these single-disc releases. Skip these discs and buy the boxed sets instead.
These two Star Trek episodes where most likely two of the best ever made. The cast was fantastic and really made there characters shine!!! This is some really enjoyable viewing and will cause fits of uncontrollable laughter. AND... Chekov is really awesome in these two (I love him! :-) LOL)!!! Enjoy!
I, Mudd-This episode, which features Harry Mudd and a group of androids, must be one of the toughest to review if only because it is such a bizarre episode. This is one of the few episodes that undeniably means to be campy. None of the actors play this one seriously, and that's for the best given the material. Unfortunately, most of the humor falls completely flat. Nevertheless, I respect the episode for trying something different. This show certainly helped set the carefree tone that would extend FAR more successfully into the next episode. (2 stars) The Trouble With Tribbles-The episode with those furry little creatures was the apex of humor on Star Trek. By this point in the show's run, characters were well enough developed for the actors and brain trust to feel comfortable stepping out a bit. And they certainly step out in this one. Thanks to writer Gerrold, the episode actually has a fairly solid dramatic foundation that includes Klingon intrigue, and threats to both the food supply and the Enterprise itself. One could be forgiven for not realizing this though, since the tribbles completely steal the show. Actually the enterprise crew (and Adams as Cerano)for the most part prove quite adept in the comedic roles, and the officious Schallert is a perfect straight man under the circumstances. A Starfleet official is even correct in his desire to reign in Kirk, for once! Tidbits: The fight scene was supposedly pinched en masse from a prior film. Recognize the Klingon? He was Trelane from The Squire of Gothos, played by William Campbell. (5 stars) | Star Trek - The Original Series, Vol. 22, Episodes 43 & 44: Bread And Circuses/ Journey To Babel 
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B000059XU0
| Paramount Studio
| 24 April, 2001
| "Bread and Circuses" Captain Kirk (William Shatner), Dr. McCoy (DeForest Kelley), and First Officer Spock (Leonard Nimoy) discover that Captain Merik (William Smithers), commander of the long-missing Starfleet vessel S.S. Beagle, has become "First Citizen of the Empire" in a re-creation of ancient Rome on an obscure, unnamed planet. Under orders from the Emperor, Merik forced his own crew to die in gladiator battles and lured other Starfleet personnel to the same fate. Now with Kirk, McCoy, and Spock in hand, the Emperor's barbaric (and televised all over the planet) amusements carry on another day. While the script takes a swipe or two at the sometimes less-than-elevated tastes of global audiences, the episode's most interesting idea is the existence of a long-suffering cult of sun worshippers, a parallel to the suppressed Christian groups in Roman times. For Trekkers, however, this one is full of the essentials: a surreal premise, a hostile planet, lots of fighting, and Scotty (James Doohan) on the bridge. --Tom Keogh "Journey to Babel" Years before George Lucas knocked us out with his wildly imaginative bar scene in Star Wars (in which a broad mix of exotic creatures mill about), Star Trek did much the same thing in "Journey to Babel." Serving as a transport for a variety of extraterrestrial diplomats, the Enterprise becomes a warp-capacity hotel for truly eclectic visitors. (Director Joseph Pevney credits the makeup artist with this episode's impressive array of alien species.) The story finds murder committed aboard the ship and an attack on Captain Kirk (William Shatner), all in an effort to sabotage the imminent signing of a peace treaty. But against this mystery is an even more curious family drama featuring Spock's conflicts with his parents, the Vulcan ambassador Sarek (Mark Lenard), who disapproves of his son, and his human wife, Amanda (Jane Wyatt). Story editor Dorothy Fontana wrote the script after deciding it was time to show us the oft-mentioned mother and father of the Enterprise's first officer (Leonard Nimoy). We can thank her for inventing all the fascinating details of a complicated family relationship that ultimately became crucial to a couple of feature films and even a memorable episode of The Next Generation. --Tom Keogh
| The original "Star Trek" series is cheesy at times but often fun and sometimes dramatic. However, 2 episodes per disc is a sure sign that Paramount was milking this series for all that it's worth, because they knew that the loyal "Star Trek" fans would buy every disc - all 40 of them. Paramount has now released the entire series in season boxed sets which, although still pricey, include bonus features and are a better value than these single-disc releases. Skip these discs and buy the boxed sets instead.
Bread and Circuses-The Roman episode was the first in a slew of parallel earth episodes, and was one of the better ones. The episode features a lot of action and a number of exterior shots. There is also much violence, and some of it is fairly chilling. While there is some editiorializing on 1) our society's bloodlust this is in my opinion negated by the Pro-Christian bias (I don't have anything against Christianity-I just prefer religion to be dealt with more subjectively on Trek). For better or worse, the show was becoming less introspective. An argument could be made that some of these episodes should have been reigned in a bit. But Star Trek was riding high at this point on a string of strong stories and fun episodes; few could have guessed that the quality would start to deteriorate in just a few episodes. Tidbit: This episode and Elaan of Troyius were the two that took the longest to get from production to the TV screen. In Elaan of Troyius I always assumed the delay was due to the spacecraft special effects. What was the explanation here? (3 stars) Journey to Babel-In another classic Trek, we meet Spock's parents, and the Enterprise turns into a veritable 'who's who' of alien dignitaries. Like so many second season shows, this episode is fast paced and dramatic. There are actually several plot lines going at once. Not only do the subtleties of Spock's relationship with his parents play well here, the show is augmented by the fact that so much else happens (murder, Kirk and Sarek's physical troubles, a spy aboard the ship, a Klingon vessel, etc.) A lot to juggle, but the writer and director managed it well, even bringing everything together at the end. True, it's absurd that Kirk and company would know so little about Spock's family, but the bombshell does make for a dramatic close to the teaser. (4.5 stars)
REVIEWED ITEM: Star Trek® Original Series DVD Volume 22: Bread and Circuses © / Journey to Babel © BREAD AND CIRCUSES © PRELIMINARY BRIEFS: Expendable Enterprise Crewmember (`Red Shirt') Confirmed Casualty List: None REVIEW/COMMENTARY: Before I go into the review proper, it has come to my attention that the guys at Paramount™ put these original series DVDs out to the market without respect to neither the episodes' canonical-chronological order nor their date-of-broadcast order. This particular volume is a case in point: The first show, Bread and Circuses ©, was originally broadcast on March 14, 1968 (Stardate 4040.7), while the following show, Journey to Babel, was shown on November 17, 1967 (Stardate 3842.3). At first, I was kinda taken aback by this haphazard arrangement of eppies; after all, they could've at least TRIED to release classic `Trek in some logical fashion, right? But after envisioning the throes of agony that the more anal-retentive/OCD-suffering UberTrekkies would suffer due to this strange quasi-random release of episodes, I actually found myself rejoicing at Paramount™'s brazenness. Anything that gives the uberfans major hissy fits is just fine and dandy in my book! A rather intriguing `what-if' type story where the elimination and/or delayed reaction of a an apparently vital historical element (in this case, "son worship" or Christianity) could have a major impact on the course of human history (in this case, the Roman Empire still exists in the 20th century). Throw in a few less-than-skillful-looking gladiatorial death matches and a turncoat starship captain (similar to the rogue C.O. in The Omega Glory ©), and you've got... um... hey, remember that scene in Airplane!™ where Peter Graves asks that kid, "Joey, do you like movies about gladiators?" I'm reminded of that scene every time I catch this particular episode! And my name isn't Joey, either! Strange, no? JOURNEY TO BABEL © PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The importance of family; learning to overcome differences; family duties versus career duties Historical Milestone: First appearance of Spock's parents Expendable Enterprise Crewmember (`Red Shirt') Confirmed Casualty List: None REVIEW/COMMENTARY: Out of all the crewmen that serve aboard the Enterprise™, who'da ever thought Spock™ would have to deal with family strife? Well, it's true, kiddies- apparently pops isn't quite an approving parent where his son's career choice is concerned. But with the help of a whodunit murder mystery, a bit of espionage intrigue, and Sarek's life-threatening condition that only Spock can help treat, father and son manage to patch things up a little in the end. Which delights mater no end of course. Throw in a ridiculously silly fight sequence between Jimmers and an ersatz Andorian, and you've got a nice dollop of cheesiness to make the whole Spock-family-soap-opera that much tastier! `Late |
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